Dance Luminary Matthew Ball on Grueling Roles and Online Scrutiny: 'I'm Not Precious About My Body'

In the quiet ambiance of a hotel bar near London's Royal Ballet, Matthew Ball requests a mint tea. His posture is naturally upright, his limbs defined beneath a plain tee. On stage, dancers can appear like mighty deities, yet frequently in person they are small. This is not true for Ball, whose tall stature is one reason for his popularity for heroic characters and partnering. Possessing delicate features and piercing eyes, there's a hint of Robert Pattinson about him.

An Apparent Ascent to the Pinnacle

At 31, Ball is experiencing the peak of a career that has advanced seamlessly. Growing up in Liverpool, he faced little ridicule for his childhood passion in ballet. Entering the Royal Ballet School at 11, he moved straight into the company and was advanced each year, reaching the top rank of lead dancer in 2018. He has loved taking on meaty dramatic roles, especially the psychological angst found in a famed choreographer's ballets.

"Your breath is short, your legs get heavy, but it’s really a neural fatigue."

His next featured role is as himself, in an "In Conversation" event aiming to offer intimate insights into a performer's art. He will walk the crowd through a role, demonstrating his mental workflow while execution. Yet in lighter ballets, the challenge is profound. "Don Quixote is one of the toughest from a skill perspective," he states.

The Mental Game and Post-Performance Feelings

How does he feel after a show, when he has pulled it off? "It's pretty good," he says. "But because I'm trying to extract all the juice out of it, and get lost in the character, quite often I do feel self-conscious afterwards. Following Mayerling I'm always like: God, what must people think?"

In person, Ball is thoughtful, mild-mannered, and quick to laugh at himself. But a choreographer previously remarked on a "kind of suffering in him." Does this exist? "I am very active in general, but I do have a dark side," he reveals. "I kind of enjoy negativity sometimes. I've always felt that doubt has been an instigator for positive change."

Early Motivations and Artistic Influences

Ball's tenacity stemmed from early experiences. Not excelling in competitions at school made him "driven!" This became fuel to prove he could achieve. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It flipped a switch, it made me go a bit obsessive," he recalls.

An upcoming endeavor is making his own dance works. In his view, "organic movement has value." "Breaking the conventions is interesting, but just pretending that they’re not a reality any more – I don’t know how far you can go with that." He aims his work to be loaded with substance, drawing inspiration from books, music, and painting.

Close-Up Dance and Private Dynamic

He also favors presenting dance in more intimate spaces. "It was just really thrilling," he says of a past experience. "You’re so near to the audience. I felt as if they were thinking: 'That’s a human, and they’re perspiring.'"

Ball has created duets with his partner, fellow lead dancer Mayara Magri. The level of trust between them is clear. "We first practiced on a beach," he says of a daring lift. "It was like Dirty Dancing." They are not typically paired on stage at their main theater, which might be healthy. "We’re both quite determined people, so it’s not always smooth sailing," he notes. "Yet I feel like we’re each other’s biggest supporter."

On Social Media and Bodily Image

On Instagram, followers can see clips from his dance films and images that highlight a athletic physique. Does he care that the engagement can be somewhat objectifying? Not really. "The body is just what we use, so I don’t feel very protective about it," he explains. He compares it to viewing Michelangelo’s David—something that can be interpreted on multiple ways.

Ball describes his early self as "eager for success." Has it lived up to his expectations? "I am conscious of how reality is a different thing to the dreams you made as a young person," he reflects. He likely has another ten years of dancing ahead. "I guess in the future, I want to be a bit more gentle with myself."

Kenneth Brown
Kenneth Brown

A UK-based writer passionate about exploring lifestyle trends and sharing travel experiences across Britain.

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